Caernarvon Castle

between 1744 and 1745

Richard Wilson Welsh, ca. 1713-1782

On View

British, Level 3, South Wing

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Provenance page
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Suggest Feedback
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Suggest Feedback
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.
Audio Transcript

Please note: This section is empty

About the Artwork

Title Caernarvon Castle

Artwork Date between 1744 and 1745

Artist Richard Wilson

Life Dates ca. 1713-1782

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Welsh

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on canvas

Dimensions Unframed: 32 1/2 × 45 inches (82.6 × 114.3 cm) Framed: 40 × 52 3/4 × 2 5/8 inches (101.6 × 134 × 6.7 cm)

Classification Paintings

Department European Painting

Credit Founders Society Purchase, Robert H. Tannahill Foundation Fund, Joseph H. Parsons Fund, Ralph Harman Booth Bequest Fund, DeRoy Testamentary Foundation Acquisition Fund, Edna Burian Skelton Fund, Mary Martin Semmes Fund, Abraham Borman Family Fund, Mr. and Mrs. Allan Shelden III Fund, and funds from Stanley R. and Lynn W. Day, Mr. Richard A. Manoogian, Marvin and Betty Danto, Marianne Schwartz, European Paintings Council, Margaret H. Demant, Ruth F. Rattner, and other contributors

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1998.1

Markings

Please note: This section is empty

Provenance

Sir Charles Tennant, Baronet [d. 1906] (The Glen, Peebleshire, Scotland);
1943-1997, by descent to his daughter, the Honorable Mrs. Walter Elliot [created Baroness Elliot of Harwood in 1958] (Hawick, Scotland);
by 1998, (David Carritt Ltd. [Artemis], London, England);
1998-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Constable, W.G., Richard Wilson, London, 1953, p. 173, pls. 32a, 32b.

Solkin, David. Richard Wilson the Landscape of Reaction. Exh. cat., Tate Gallery, et al. London, 1982, p. 148, cat. 7 (ill.).

Sutton, D. "A medidative love of nature: The Richard Wilson exhibition." Apollo (January 1983): p. 39.

The Treasure Houses of Great Britain. Exh. cat., National Gallery of Art. Washington, D.C., 1985, p. 381, cat. 318 (ill.).

"La Chronique des Arts Principales Acquisitions des Musees en 1998." Gazette des Beaux-Arts 133 (March 1999): p. 55, no. 208.

Wissman, F.W. European Vistas: Cultural Landscapes. Exh. cat., Detroit Institute of Arts. Detroit, 2000, p. 78 (ill.).

Bandes, Susan J. Pursuits and Pleasures: Baroque Paintings from the Detroit Institute of Arts. Exh. cat., Dennos Museum Center, Kalamazoo Art Museum, Kresge Art Museum, Muskegon Museum of Art. Battle Creek, 2003, pp. 46, 47 (ill.).

Richard Wilson and the British Arcadia. Exh. cat., Richard L. Feigen & Co. New York, 2010, cat. no. 2. [as by Richard Wilson.]

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Richard Wilson, Caernarvon Castle, between 1744 and 1745, oil on canvas. Detroit Institute of Arts, Founders Society Purchase, Robert H. Tannahill Foundation Fund, Joseph H. Parsons Fund, et al., 1998.1.