Beyond Midnight

2002

Betye Saar American, born 1926

On View

African American, Level 2, North Wing

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About the Artwork

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Beyond Midnight

Artwork Date 2002

Artist Betye Saar

Life Dates born 1926

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Mixed media assemblage on wood

Dimensions Overall: 26 × 18 × 2 1/4 inches (66 × 45.7 × 5.7 cm)

Classification Sculpture

Department African American Art

Credit Museum Purchase, Friends of African and African American Art

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2003.68

Markings

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Provenance

2003-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Bulletin of the DIA 81, no. 3/4 (2007): 34-35.

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Catalogue Raisoneé

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Credit Line for Reproduction

Betye Saar, Beyond Midnight, 2002, mixed media assemblage on wood. Detroit Institute of Arts, Museum Purchase, Friends of African and African American Art, 2003.68.