About the Artwork
Henri Cartier-Bresson looked to the theater of life in the streets, where he waited for the right arrangement of figures and other uncanny details to portray a unique, unexpected moment. His philosophy was influenced by progressive ideas found in the artistic circles of Paris in the 1920s and 1930s. Before taking up photography, Cartier-Bresson studied painting briefly, learned to observe life closely, and found inspiration in the imaginative musings of surrealist artists and writers who were fascinated by the unconscious mind and altered perceptions of reality.
Behind the Gare Saint-Lazare
1932, printed 1970s
Henri Cartier-Bresson
1908-2004
French
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Gelatin silver print
Image: 14 1/8 × 9 5/8 inches (35.9 × 24.4 cm) Sheet: 15 7/8 × 11 7/8 inches (40.3 × 30.2 cm)
Photographs
Prints, Drawings & Photographs
Museum Purchase, Forum for Prints, Drawings and Photographs Purchase Fund in honor of Michelle Andonian
2013.45
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Provenance
2013-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)For more information on provenance, please visit:
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Credit Line for Reproduction
Henri Cartier-Bresson, Behind the Gare Saint-Lazare, 1932, printed 1970s, gelatin silver print. Detroit Institute of Arts, Museum Purchase, Forum for Prints, Drawings and Photographs Purchase Fund in honor of Michelle Andonian, 2013.45.
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