About the Artwork
Bandolier Bag
ca. 1873
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Native American
Ojibwa
Glass beads, velveteen, cotton and wool braid
Overall: 40 × 12 inches (101.6 × 30.5 cm)
Costume Accessories
Indigenous Americas
Museum Purchase, Flint Ink Foundation and Edgar A.V. Jacobsen Acquisition Fund
2006.9
Copyright Not Evaluated
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Bandolier bag
Beading (process)
Beadwork
Braiding
Church
Cotton (fiber)
Cotton (textile)
Cross (object)
Crosses (motifs)
Floral patterns
Geometric patterns
Glass
Husband
Lovers
Lozenges
Marriage
Men
Minnesota
Mythology
Pastor
Shoulder bag
Tassel
Text
Thunderbirds
Velveteen
Weaving
Wedding
Wedding dress
Wife
Wisconsin
Woman
Wool (hair)
Markings
Inscribed and dated in beadwork at the bottom of the bag: MAH NOME NEE KAY GEE ZIS (Rice Moon (August)) | EE | NEE | NEE (Man) | GEE | WEE | DO (Wife) | 1873 | WEE | DEE | GAY (Married) | GEE | SZ | HEE | GUD (Day)
Provenance
Paul Armstrong (Bessie, Oklahoma, USA).Richard Pohrt, Jr.;
2006-present, purchased 2006 by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance, please visit:
Provenance pageExhibition History
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Credit Line for Reproduction
Ojibwa, Native American, Bandolier Bag, ca. 1873, glass beads, velveteen, cotton and wool braid. Detroit Institute of Arts, Museum Purchase, Flint Ink Foundation and Edgar A.V. Jacobsen Acquisition Fund, 2006.9.
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