Apocalypse Leaf Fragment: The Beast of the Sea

ca. 1295

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Provenance

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Apocalypse Leaf Fragment: The Beast of the Sea

Artwork Date ca. 1295

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Tempera on parchment

Dimensions Sheet: 4 1/8 × 5 3/4 inches (10.5 × 14.6 cm)

Classification Manuscripts

Department Prints, Drawings & Photographs

Credit Founders Society Purchase with funds from Founders Junior Council and the Mr. and Mrs. Walter B. Ford II Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1983.20.B

Markings

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Provenance

Daniel Burckhardt-Wildt (Basel, Switzerland);
until 1983, descendents of Daniel Burckhardt-Wildt;
1983-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Caviness, M.H. "A Man with a Dragon from one of the Tribune Osculi of Mantes." Gesta 26, no. 1 (1986): p. 129 (fig. 3).

De Winter, Patrick M. "Visions of the Apocalypse in Medieval England and France." Bulletin of the Cleveland Museum of Art 70, no. 10 (December 1983): 399, p. 407 (fig. 20).

Emerson, R.K. and S. Lewis. "Census and Bibliography of Medieval Manuscripts Containing Apocalypse Illustrations, ca. 800-1500, II." Traditio 41 (1985): 370-409, nos. 38-117.

"Family Art Game," Detroit Free Press, May 18, 1986, p. 23 (ill.). [DIA Advertising Supplement].

Henderson, George. "The Manuscript Model of the Angers 'Apocalypse' Tapestries." Burlington Magazine 127, no. 985 (April 1985): 209-218.

Kleinbauer, W., ed. "Recent Major Acquisitions of Medieval Art by American Museums: Number Five." Gesta 22, no. 2, (1983): 171-175, (fig. 9) (ill.).

Lewis, S. "The Apocalypse of Isabella of France: Paris, Bibl. Nat. MS Fr. 13096." Art Bulletin 72, no. 2 (June 1990): 224-260.

Morgan, Nigel. "The Burckhardt-Wildt Apocalypse." Art at Auction: The Year at Sotheby's, 1982-1983. London, 1983, pp. 168-169 (fig. 11).

Single Leaves and Miniatures. Sales cat., Sotheby's. London, April 25, 1983, lot 52.

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Catalogue Raisoneé

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Credit Line for Reproduction

French, Apocalypse Leaf Fragment: The Beast of the Sea, ca. 1295, tempera on parchment. Detroit Institute of Arts, Founders Society Purchase with funds from Founders Junior Council and the Mr. and Mrs. Walter B. Ford II Fund, 1983.20.B.