Adoration of the Shepherds

between 1615 and 1625

Carlo Bononi Italian, 1569-1632

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About the Artwork

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Adoration of the Shepherds

Artwork Date between 1615 and 1625

Artist Carlo Bononi

Life Dates 1569-1632

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on wood panel

Dimensions Unframed: 11 7/8 × 9 11/16 inches (30.1 × 24.6 cm) Framed: 18 5/8 × 16 1/2 × 2 1/8 inches (47.3 × 41.9 × 5.4 cm)

Classification Paintings

Department European Painting

Credit Founders Society Purchase, Robert H. Tannahill Foundation Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 65.95

Markings

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Provenance

ca. 1935, possibly a private collection (Germany);
as late as 1959, Professor Herman Voss (Munich, Germany);
by 1962, (Frederick Mont, New York, New York);
1965-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Wiesbaden, Städtisches Museum, Italienische Malerei des 17. und 18. Jahrhunderts: eine Auswahl von Bildern aus der von der Stadt Wiesbaden un dem nassauischen Kunstverein veranstalteten Ausstellung, 1935, vol. 1, no. 22, p. 6; vol. II, pl. 6 (by count).

Maestri della Pittura del Seicento Emiliano, 2nd ed. (Exh. ?) cat., Palazzo dell'Archiginnasio. Bologna, 1959, cat. 33 [or 133?], pp. 256-257, pl. 133 [entry by A. Emiliani; owned by Hermann Voss].

A Loan Exhibition: Baroque Painters of Bologna and Neighboring Cities. Exh. cat., Finch College Museum of Art. New York, 1962, cat. 4 [entry by R. Manning; lent by Frederick Mont].

Emiliani, A. Carlo Bononi. Ferrara, 1962, p. 56, no. 55, pl. 37.

Art In Italy, 1600-1700. cat., DIA. Detroit, 1965, cat. 90, pp. 91, 92, (repr.) [entry by Dwight Miller].

Fredericksen, B. & F. Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. 1972, p. 32 [as by Carlo Bonone].

I dipinti reggianti del Bonone e del Guercino. Exh. cat., Basilica della B. V. della Ghiara. Reggio Emilia, 1982, p. 38.

Bissell, R. W., A. Derstine, and D. Miller. Masters of Italian Baroque Painting: The Detroit Institute of Arts. London, 2005, pp. 10, 11 (note 16), 32-33, cat. no. 10 [entry by Ward Bissell].

Derstine, Andria. "The Detroit Institute of Arts and Italian Baroque Painting." In Buying Baroque: Italian Seventeenth-Century Paintings Come to America, ed. Edgar Peters Bowron. University Park, 2017, p. 99.

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Catalogue Raisoneé

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Credit Line for Reproduction

Carlo Bononi, Adoration of the Shepherds, between 1615 and 1625, oil on wood panel. Detroit Institute of Arts, Founders Society Purchase, Robert H. Tannahill Foundation Fund, 65.95.