John Adams

between 1748 and 1752

John Greenwood American, 1727-1792

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title John Adams

Artwork Date between 1748 and 1752

Artist John Greenwood

Life Dates 1727-1792

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 35 3/4 × 27 1/8 inches (90.8 × 68.9 cm) Framed: 42 3/4 × 35 × 3 inches (108.6 × 88.9 × 7.6 cm)

Classification Paintings

Department American Art before 1950

Credit Founders Society Purchase, General Membership Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 26.386

Markings

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Provenance

collection of George B. Dorr (Somerset Club, Boston, Massachusetts, USA). 1926, dealer, Robert C. Vose (Boston, Massachusetts, USA)

1926-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Burroughs, Clyde H. "A Portrait by Joseph Badger." Bulletin of the DIA 8, 7 (April 1927): pp. 73-74 (ill.).

Bayley, Frank W. Five Colonial Artists of New England. Boston, 1929, p. 7.

Burroughs, Clyde H. "Early American Portraits at the Detroit Institute of Arts." Art in America 17 (October 1929): p. 261.

Lee, Cuthbert. Early American Portrait Painters. New Haven, CT, 1929, p. 196.

A Loan Exhibition of American Colonial and Early Federal Art. Exh. cat., Detroit Institute of Arts. Detroit, 1930, no. 257.

E. P. Richardson. “American Portrait Painting.” Bulletin of the DIA 14, 1 (1934): p. 11.

Burroughs, Alan. Limners and Likenesses: Three Centuries of American Painting. Cambridge, MA, 1936, no. 52. [as attributed to Badger]

A Survey of American Painting. Exh. cat., The Carnegie Institute. Pittsburgh, 1940, no. 21.

Burroughs, Alan. John Greenwood in America, 1745-1752. Andover, MA, 1943, p. 60, no. 23.

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Catalogue Raisoneé

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Credit Line for Reproduction

John Greenwood, John Adams, between 1748 and 1752, oil on canvas. Detroit Institute of Arts, Founders Society Purchase, General Membership Fund, 26.386.