People often think of museums as places that preserve history. But, just as importantly, museums must also reflect present-day experiences and shape an increasingly inclusive future where everyone sees themselves reflected in the artworks. 
 
It's been three decades since the Detroit Institute of Arts held a major Native American art exhibition. Now, thanks to the vision and dedication of Dr. Denene De Quintal, our assistant curator of Native American Art, we have an exciting opportunity to uplift Native American voices that deserve recognition for their excellence in art. Our upcoming exhibition, Contemporary Anishinaabe Art: A Continuation—on view from September 28, 2025, to April 5, 2026—focuses on past, present, and future: techniques passed down from ancestors, the evolution of Native Americanart forms, and new opportunities to learn more about Anishinaabe culture.  
 
To create the most accurate depiction of contemporary Anishinaabe art, an advisory committee of Ojibwe, Ottawa, and Potawatomi artists helped shape the exhibition. Their invaluable insight in collaboration with Dr. De Quintal, has helped with selecting artworks to solidifying themes to brainstorming public programming ideas, among others. We’re deeply grateful for the time, expertise, and care they have poured into this exhibition. 

Featuring more than 90 works across a range of media, the show challenges long-held stereotypes about what Native American art is—and what it can be. The show will highlight the range of Anishinaabe art and will include basketry, beadwork, birchbark work, clothing, film, graphic art, jewelry, painting, pottery, sculpture, and woodwork. 

 I was recently able to peek into the ongoing installation of the exhibition. One work that really stood out to me was a photograph by Marcella Hadden, Jingle Dress. The close-up shot almost appears abstract, inviting you to look at the intricate details of the metal cones that jingle while the wearer dances. I have always been interested in the connections between abstract art and music.  

I’ve also long admired the work of Norval Morrisseau, so I’m thrilled we’re including several of his pieces, such as the bold and unforgettable Punk Rockers. You can purchase a fun keepsake tote bag featuring this striking image in the DIA Shop. 

Contemporary Anishinaabe Art: A Continuation is more than an exhibition—it’s the beginning of deeper relationships, ongoing dialogue, and a renewed commitment to Native American representation at the DIA. In the months and years ahead, we look forward to continuing our work with Native American artists and communities, both in Detroit and beyond.