Virgin and Child in a Court Yard

between 1450 and 1503

Israhel van Meckenem , Artist After Martin Schongauer , Artist

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About the Artwork

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Markings

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Provenance

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Virgin and Child in a Court Yard

Artwork Date between 1450 and 1503

Makers Israhel van Meckenem (Artist) German, 1450-1503 After Martin Schongauer (Artist) German, 1450-1491

Medium Engraving printed in black ink on laid paper

Dimensions Sheet (trimmed within plate mark): 5 3/8 × 4 1/8 inches (13.7 × 10.5 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Anonymous bequest in memory of Hal H. Smith

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 62.65

Markings

Signed Signed, in plate, lower left: [artist's monogram]

Marks Watermark: [Gothic P]

Provenance

November 6, 1951 Edwin A. Seasongood Collection, Parke-Bernet Sale.
1962-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

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We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

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Catalogue Raisoneé

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Credit Line for Reproduction

Israhel van Meckenem; after Martin Schongauer, Virgin and Child in a Court Yard, between 1450 and 1503, engraving printed in black ink on laid paper. Detroit Institute of Arts, Anonymous bequest in memory of Hal H. Smith, 62.65.