About the Artwork
Sunday Morning
1877
Thomas Waterman Wood
1823-1903
American
Unknown
Oil on panel
Overall: 19 3/4 × 15 3/4 inches (50.2 × 40 cm)
Paintings
American Art before 1950
Museum Purchase, Robert H. Tannahill Foundation Fund
2009.87
Copyright not assessed, please contact [email protected].
Markings
Signed and dated, lower left: T W Wood | 1877
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Provenance
1877, Milford Fish
his great-nephew, Frederic Warriner (Pasadena, California, USA)
1991-2007, private collection. 2009-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance and its important function in the museum, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Suggest FeedbackPublished References
Illustrated Catalogue of the 52nd Annual Exhibition. Exh. cat., National Academy of Design. New York, 1877, p. 51 (ill.).
Harper’s Weekly 21, 1059 (April 14, 1877): p. 289 (ill.).
“Academy of Design. III. Genre-Pictures.” New-York Tribune (April 16, 1877): p. 5.
Thomas Waterman Wood PNA, 1823-1903. Exh. cat., Wood Art Gallery. Montpelier, VT, 1972, p. 48.
Cikovsky, Nicolai Jr. and Franklin Kelly. Winslow Homer. Exh. cat., National Gallery of Art. Washington, D.C., 1995, p. 96 (fig. 74).
Conrads, Margaret C. Winslow Homer and the Critics: Forging a National Art in the 1870s. Exh. cat., Nelson-Atkins Museum of Art. Kansas City, 2001, p. 128, no. 38.
Morgan, Jo-Ann. Uncle Tom's Cabin as Visual Culture. Columbia, Missouri, 2007, p. 148, no. 38.
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Credit Line for Reproduction
Thomas Waterman Wood, Sunday Morning, 1877, oil on panel. Detroit Institute of Arts, Museum Purchase, Robert H. Tannahill Foundation Fund, 2009.87.
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