Study of Three Hands

between 1625 and 1630

Bernardo Strozzi Italian, 1581-1644

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Study of Three Hands

Artwork Date between 1625 and 1630

Artist Bernardo Strozzi

Life Dates 1581-1644

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Black and red chalk and pastel on gray-blue paper

Dimensions Sheet: 9 3/4 × 6 3/4 inches (24.8 × 17.1 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Gift of Mrs. James E. Scripps

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 09.1SDR227

Markings

Inscriptions Inscribed, in pen and black ink, upper right corner: 14 [oblique angle]

Marks Stamp, lower right corner: (Lugt 2604)

Provenance

William Bates (London, England).
January 19-21, 1887, offered for sale by (Sotheby's, London, England) no. 337. [as by Rubens.]
March 4-7, 1889, sold by (Sotheby's, London, England) no. 820;
James E. Scripps (Detroit, Michigan, USA);
Mrs. James E. Scripps (Detroit, Michigan, USA);
1909-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Turčič, Lawrence. Review of "Le dessin à Gênes du XVIe au XVII siècle." Master Drawings 23-24, 2 (Summer 1986): pp. 242-246, p. 245.

Carlson, Victor I. Italian, French, English, and Spanish Drawings and Watercolors: Sixteenth Through Eighteenth Centuries. New York, 1992, pp. 84-85, no. 33, p. 28 (pl. xii).

Perlove, Shelley and George S. Keyes, ed. Seventeenth-Century European Drawings in Midwestern Collections: The Age of Bernini, Rembrandt, and Poussin. Notre Dame, Indiana. 2015, pp. 104-105, cat. 40 (ill.).

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Catalogue Raisoneé

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Credit Line for Reproduction

Bernardo Strozzi, Study of Three Hands, between 1625 and 1630, black and red chalk and pastel on gray-blue paper. Detroit Institute of Arts, Gift of Mrs. James E. Scripps, 09.1SDR227.