About the Artwork
A Standing Man Turned to the Left
between 1754 and 1762
Giovanni Battista Tiepolo
1696-1770
Italian
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Pen and brown ink and brown wash on cream laid paper
Sheet: 9 1/4 × 5 7/8 inches (23.5 × 14.9 cm)
Drawings
Prints, Drawings & Photographs
Bequest of Robert H. Tannahill
70.330
Public Domain
Markings
Inscribed, in pencil, verso, lower right: 13
Provenance
Count Algarotti-Corniani (Venice, Italy);1852, Edward Cheney (Venice, Italy);
E. Parsons and Sons (London, England);
Dan Fellows Platt (Englewood, New Jersey, USA);
Mr. and Mrs. Ernest Kanzler (Detroit, Michigan, USA);
Robert H. Tannahill [1893-1969] (Grosse Pointe Farms, Michigan, USA);
1970-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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The Robert Hudson Tannahill Bequest to the Detroit Institute of Arts: A Catalogue Issued on the Occassion of the Exhibition "A Collector's Treasure: The Tannahill Bequest." Exh cat., DIA. Detroit, 1970, p. 77 (ill.); p. 109.
Bostick, William A. Robert Hudson Tannahill Memorial Exhibition. Exh. cat., Grosse Pointe War Memorial. Grosse Pointe, 1978, no. 24.
Italian, French, English, and Spanish Drawings and Watercolors: Sixteenth Through Eighteenth Centuries. New York, 1992, pp. 128-129, no. 62; p. 147 (pl. xix).
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Credit Line for Reproduction
Giovanni Battista Tiepolo, A Standing Man Turned to the Left, between 1754 and 1762, pen and brown ink and brown wash on cream laid paper. Detroit Institute of Arts, Bequest of Robert H. Tannahill, 70.330.
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