Scene from Macbeth

ca. 1850

William Rimmer American, 1816-1879

On View

American, Level 2, West Wing

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Provenance

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Scene from Macbeth

Artwork Date ca. 1850

Artist William Rimmer

Life Dates 1816-1879

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on canvas

Dimensions Unframed: 36 × 26 inches (91.4 × 66 cm) Framed: 46 3/4 × 36 3/4 × 3 3/4 inches (118.7 × 93.3 × 9.5 cm)

Classification Paintings

Department American Art before 1950

Credit Gift of Sally A. Feldman in memory of Joseph D. Feldman

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1994.36

Markings

Inscriptions Stamped or stenciled, on back, except for the number, which is handwritten: PREPARED BY | MORRIS | NO 17 | EXCHANGE ST. | BOSTON

Marks Label, on stretcher, now covered by relining: BRUNDIDGE

Provenance

private collection (house on Mission Hill, Milton, Massachusetts, USA).
ca. 1916, Mrs. Brundidge (Milton, or Hyde Park, Massachusetts, USA).
Adelson Gallery (Boston, Massachusetts, USA).
Ira Spanierman (New York, New York, USA).
1966, Drawing Shop-Galerie, now Shepherd Gallery (New York, New York, USA).
on consignment at Kennedy Galleries (New York, New York, USA).
Richard Manoogian (Detroit, Michigan, USA).
Kennedy Galleries (New York, New York, USA).
1984, Shepherd Gallery (New York, New York, USA).
1984, private collector.
1984, Joseph Feldman (Michigan, USA);
his wife, Sally Feldman;
1993-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

The Painter and the New World: A Survey of Painting from 1564 to 1867, Marking the Founding of the Canadian Federation. Exh. cat., Montreal Museum of Fine Arts. Montreal, 1967, no. 212. [as Scene from The Tempest]

“An American Survey: Paintings from Two Centuries.” Kennedy Quarterly 7, no. 1 (March 1967): pp. 38-39. [as Scene from The Tempest]

Flexner, James Thomas. Nineteenth-Century American Painting. New York, 1970, p. 202. [as Scene from The Tempest]

Weidman, Jeffrey. William Rimmer: Critical Catalogue Raisonné. Ann Arbor, 1982, pp. 466-476.

William Rimmer: A Yankee Michelangelo. Exh. cat., Brockton, Massachusetts, 1985, p. 55, no. 17.

Studing, Richard. Shakespeare in American Painting: A Catalogue from the Late Eighteenth Century to the Present. Rutherford, New Jersey, 1993, p. 19; pp. 114-115, no. 650.

Evans, Dorinda. William Rimmer: Champion of Imagination in American Art. Cambridge, 2022, p. 9, p. 11 (ill.) [avaliable online at: https://doi.org/10.11647/OBP.0304].

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Catalogue Raisoneé

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Credit Line for Reproduction

William Rimmer, Scene from Macbeth, ca. 1850, oil on canvas. Detroit Institute of Arts, Gift of Sally A. Feldman in memory of Joseph D. Feldman, 1994.36.