About the Artwork
This artwork juxtaposes the figures of the soldier saints George and Sebastian. The contrast between George’s form encased in armor and Sebastian’s idealized yet minimally clothed body acknowledges the vulnerability of the flesh that armor was designed to defend. George's steel equipment perfectly recalls the quintessential style of armor forged in Milan, Italy, where the painter, Andrea Solario, grew up among a vibrant family of artists.
This painting was once two panels that flanked the central image of a small altarpiece that Solario created as a personal devotional aid for the French cardinal and general Georges d'Amboise (1460 – 1510). The patron's distinctive portrait likeness appears here as the face of his namesake, Saint George.
Saint George and Saint Sebastian
ca. 1507 - 1510
Andrea Solario
ca. 1465 - before 1524
Italian
----------
Oil on wood panel
Unframed: 14 1/2 × 10 1/4 inches (36.8 × 26 cm) Framed: 20 1/2 × 16 5/8 × 2 1/16 inches (52.1 × 42.2 × 5.2 cm)
Paintings
European Painting
City of Detroit Purchase
26.110
Public Domain
Markings
Please note: This section is empty
Provenance
until 1882, William, 12th Duke of Hamilton (Hamilton Palace, England);June 24, 1882, sold by (Christie's, London, England) auction 12th Duke of Hamilton, lot 377;
1882-1912, purchased by John Edward Taylor [as by Andrea Mantegna; for £441];
July 5, 1912, sold by (Christie's, London, England) auction J.E. Taylor, no. 19 [as by Lorenzo Costa];
1912, purchased by (Jacques Seligman, London, England);
(Kleinberger Gallery, New York, New York, USA);
1926-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance, please visit:
Provenance pageExhibition History
Please note: This section is empty
The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
We welcome your feedback for correction and/or improvement.
Suggest FeedbackPublished References
Crowe, J. A. and G.B. Cavalcaselle. A History of Painting in North Italy. London, 1871, vol. 2, pp. 60-61, text and footnote 3.
Catalogue of the Collection of Pictures, Works of Art, and Decorative Objects, etc., the Duke of Hamilton. Sales cat., Christie's. London, June 24, 1882, lot 377, p. 56. [as by A. Mantegna]
London Times, February 6, 1882 and June 26, 1882.
Berenson, B. North Italian Painters of the Renaissance. New York, 1907, p. 281. [owned by Mrs. J.E. Taylor, London; as early work of Martino or Alberto Piazza.].
Crowe, J.A. and G.B. Cavalcaselle. A History of Painting in North Italy, 2nd ed. Borenius. London, 1912, vol. 2, p. 384 note 2 [in Hamilton Palace collection.]
Heil, W. Catalogue of Paintings in the Permanent Collection of the Detroit Institute of Arts. Detroit, 1930, cat. 76 (ill.). [as Francesco Francia.]
Berenson, B. Italian Pictures of the Renaissance; A List of the Principal Artists and their Works. Oxford, 1932, p. 315. [as Bernardino Luini.]
Berenson, B. Pitture italiane del rinascimento. Milan, 1936, p. 271. [as Bernardino Luini.]
Richardson, E.P., ed. Detroit Institute of Arts Catalogue of Paintings, 2nd ed. Detroit, 1944, p. 125, no. 76.
Suida, W.E. "Andrea Solario in the Light of Newly Discovered Documents and Unpublished Works." Art Quarterly 8, no. 1 (Winter 1945): pp. 16-22, pp. 17-18 (fig. 1).
Leonardo da Vinci loan exhibition. Exh. cat., Los Angeles County Museum. Los Angeles, 1949, p. 101, no. 62 (ill.).
Ottino della Chiesa, A. Bernardino Luini. Novara, 1956, p. 74, no. 45.
Ottino della Chiesa, A. Bernardino Luini, 2nd ed. Milan, 1960, n.p.
Paintings in the Detroit Institute of Arts: A Checklist of Paintings Before June 1965. Detroit, 1965, p. 102. [as A. Solario.]
Arano, L.C. Andrea Solario Milan, 1965, pp. 24 and note 23; 58, cat. 7 (fig. 20).
Berenson, B. Italian Pictures of the Renaissance: A List of the Principal Artists and their Works with an Index of Places. Vol. 1, Central Italian and North Italian Schools. London, 1968, p. 228. [as by Bernardino Luini.]
Fredericksen, B. and F. Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972, p. 190.
Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.
Suggest FeedbackCatalogue Raisoneé
Please note: This section is empty
Credit Line for Reproduction
Andrea Solario, Saint George and Saint Sebastian, ca. 1507 - 1510, oil on wood panel. Detroit Institute of Arts, City of Detroit Purchase, 26.110.
Related Works
Feedback
We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction or improvement.
Suggest Feedback
