Pitcher

between 1050 and 1200

Anasazi, Native American

Not On View

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About the Artwork

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Markings

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This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

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Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

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Provenance page
Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

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Catalogue Raisonné

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A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

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The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title Pitcher

Artwork Date between 1050 and 1200

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Native American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Anasazi

Medium Clay

Dimensions Overall: 7 3/4 × 7 inches (19.7 × 17.8 cm)

Classification Ceramics

Department Indigenous Americas

Credit Gift of Mrs. Francis H. Elmore in memory of Mr. Francis H. Elmore

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1997.32

Markings

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Provenance

1930s, purchased by Francis Hapgood Elmore (died 1994?) and Antoinette M. Elmore (Grand Valley, Arizona, USA);
1997-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Anasazi, Native American, Pitcher, between 1050 and 1200, clay. Detroit Institute of Arts, Gift of Mrs. Francis H. Elmore in memory of Mr. Francis H. Elmore, 1997.32.