Normandie Pitcher

1936

Peter Müller-Munk, Artist Revere Copper and Brass Company, Manufacturer

Not On View

Normandie Pitcher: 1 of Collection Gallery

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Normandie Pitcher

Artwork Date 1936

Makers Peter Müller-Munk (Artist) American, 1904-1967 Revere Copper and Brass Company (Manufacturer) American, established 1930

Medium Chrome-plated brass

Dimensions Overall: 12 × 9 3/8 × 2 7/8 inches (30.5 × 23.8 × 7.3 cm)

Classification Metalwork

Department American Art before 1950

Credit Founders Society Purchase, Jerome M. and Patricia J. Shaw Purchase Fund and funds from Gilda Birmingham

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1996.19

Markings

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Provenance

1996-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

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We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

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Catalogue Raisoneé

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Credit Line for Reproduction

Peter Müller-Munk; Revere Copper and Brass Company, Normandie Pitcher, 1936, chrome-plated brass. Detroit Institute of Arts, Founders Society Purchase, Jerome M. and Patricia J. Shaw Purchase Fund and funds from Gilda Birmingham, 1996.19.