Lucas van Uffele

between 1622 and 1625

Anton van Dyck Flemish, 1599-1641

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Lucas van Uffele

Artwork Date between 1622 and 1625

Artist Anton van Dyck

Life Dates 1599-1641

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Flemish

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on oak panel

Dimensions Unframed: 12 × 9 3/8 inches (30.5 × 23.8 cm) Framed: 15 7/8 × 13 3/8 × 1 7/8 inches (40.3 × 34 × 4.8 cm)

Classification Paintings

Department European Painting

Credit Founders Society Purchase, General Membership Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 30.91

Markings

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Provenance

(Thomas Agnew and Sons, London, England);
1930-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Heil, W. "Sketches of Rubens and Van Dyck," Bulletin of the DIA 11, no. 6 (1930): pp. 78-81, (repr.).

Heil, W. Catalogue of Paintings in the Permanent Collection of The Detroit Institute of Arts. Detroit, 1930, cat. 67, (repr.) [as Anthony van Dyck].

Hartford, Wadsworth Atheneum, 1935, no. 38.37.

Scheyer, E. Baroque Painting. Exh. cat., DIA. Detroit, 1937, pp. 49-51, (fig. 21) [as Anthony van Dyck].

Richardson, E.P., ed. Catalogue of Paintings. Exh. cat., DIA. Detroit, 1944, p. 42, no. 67 [as A. van Dyck].

Loan Exhibition of Paintings by Rubens and Van Dyck. Exh. cat., Los Angeles County Museum. Los Angeles, 1946, cat. 47.

100 Opere Di Van Dyck. Exh. cat., Palazzo dell'Accademia. Genoa, 1955.

Jaffé, M. "Van Dyck's Sketches for His Portraits of Duquesnoy and of Van Uffel," Bulletin/Musée Royaux des Beaux-Arts de Belgique, no. 16. 1967, pp. 158-162, (fig. 4).

Held, J.S. Flemish and German Paintings of the 17th Century, The Collections of the DIA. Detroit, 1982, pp. 29-30, (repr.) [as Anthony van Dyck].

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Catalogue Raisoneé

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Credit Line for Reproduction

Anton van Dyck, Lucas van Uffele, between 1622 and 1625, oil on oak panel. Detroit Institute of Arts, Founders Society Purchase, General Membership Fund, 30.91.