The Louvre, Cour Visconti

between 1853 and 1875

Édouard Baldus French, 1813-1889

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title The Louvre, Cour Visconti

Artwork Date between 1853 and 1875

Artist Édouard Baldus

Life Dates 1813-1889

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Albumenized salted paper print

Dimensions Image: 13 1/2 × 17 7/8 inches (34.3 × 45.4 cm) Sheet: 17 7/8 × 22 1/8 inches (45.4 × 56.2 cm)

Classification Photographs

Department Prints, Drawings & Photographs

Credit Founders Society Purchase, Albert and Peggy de Salle Charitable Trust

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1995.7

Markings

Signed Signed, in black ink, on mount, lower right: E. Baldus

Marks Marks, in negative, on image, lower right: E. Baldus | n. 105

Provenance

Charles Isaacs (Malvern, Pennsylvania, USA);
1995-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Barr, Nancy. Picturing Paris, 1850 to the Present: Photographs from the Permanent Collection. Exh. cat., Detroit Institute of Arts. Detroit, 1995, p. 3 (ill.), p. 9.

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Catalogue Raisoneé

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Credit Line for Reproduction

Édouard Baldus, The Louvre, Cour Visconti, between 1853 and 1875, albumenized salted paper print. Detroit Institute of Arts, Founders Society Purchase, Albert and Peggy de Salle Charitable Trust, 1995.7.