Louis Carey

1904

Richard Emile Miller American, 1875-1943

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Louis Carey

Artwork Date 1904

Artist Richard Emile Miller

Life Dates 1875-1943

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 36 1/2 × 29 inches (92.7 × 73.7 cm) Framed: 39 1/4 × 31 1/2 × 1 1/4 inches (99.7 × 80 × 3.2 cm)

Classification Paintings

Department American Art before 1950

Credit Gift of Mr. and Mrs. James O. Keene

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 74.242

Markings

Signed Signed and dated, lower right: R. E. Miller | Paris 1904

Inscriptions Inscribed, lower right: R. E. Miller | Paris 1904

Provenance

ca. 1971-1972, Mr. and Mrs. James O. Keene

1974-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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