Lady Anna Horatia Waldegrave

ca. 1783

Thomas Gainsborough English, 1727-1788

On View

British, Level 3, South Wing

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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About the Artwork

Title Lady Anna Horatia Waldegrave

Artwork Date ca. 1783

Artist Thomas Gainsborough

Life Dates 1727-1788

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. English

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on canvas

Dimensions Unframed: 3 1/4 × 25 1/4 inches (8.3 × 64.1 cm) Framed: 41 1/4 × 36 × 3 1/2 inches (104.8 × 91.4 × 8.9 cm)

Classification Paintings

Department European Painting

Credit Gift of Mrs. Edsel B. Ford

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 67.1

Markings

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Provenance

Lady Anna Horatia Waldegrave [from 1786, Lady Seymour] [d. 1801] (Ragley Hall, Alcester, Warwick, England);
by descent to her grandson, Hugh F. Seymour [d. 1930] (Potterells, Hatfield, Hertfordshire, England);
1928, (Duveen Brothers, New York, New York, USA);
1928, Mr. and Mrs. Edsel B. Ford (Detroit, Michigan, USA);
1967-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Whitely, W. Thomas Gainsborough. London, 1915, pp. 205–207 (ill.).

Whitely, W. Artists and their Friends in England 1700–1799, vol. 1. London and Boston, 1928, p. 319.

Waterhouse, E. Gainsborough. London, 1958, no. 608.

"Appendix VI: Accessions." Bulletin of the Detroit Institute of Arts 47, no. 1 (1968): 15–17, p. 15.

Romantic Art in Britain: Paintings and Drawings 1760-1860. Exh. cat., Detroit Institute of Arts and Philadelphia Museum of Art. Detroit and Philadelphia, 1968, no. 20, pp. 59-60 (ill.).

Cummings, Frederick J. "Preface." Bulletin of the Detroit Institute of Arts 57, no. 1 (1979): 4–14, p. 8.

Masterpieces from the Detroit Institute of Arts. Exh. cat., Bunkamura Museum of Art. Tokyo, 1989, pp. 72, 212-213, cat. 40 (ill.).

DeGalan, Aimée Marcereau. "Lead White or Dead White? Dangerous Beauty Practices of Eighteenth-Century England." Bulletin of the Detroit Institute of Arts 76, no. 1/2 (2002): 38–49, pp. 38 (ill.), 40, 47, note 2. p. 48, fig. 1.

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