Inflation

between 1920 and 1921

George Grosz German, 1893-1959

Not On View

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Inflation

Artwork Date between 1920 and 1921

Artist George Grosz

Life Dates 1893-1959

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. German

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Lithograph printed in black ink on laid paper

Dimensions Image: 13 3/8 × 9 inches (34 × 22.9 cm) Sheet: 19 × 15 3/8 inches (48.3 × 39.1 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Gift of Gordon Beer

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 35.81

Markings

Signed Signed, in pencil, lower right: GROSZ

Inscriptions Inscribed, in pencil, lower left edge: GEORGE GROSZ - TYPES

Marks Watermark: DREY KONIGE GF

Provenance

Gordon Beer;
1935-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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