Herodias and Salome with the Head of John the Baptist

1631

Bartolomeo Coriolano, Artist Guido Reni, Artist

Not On View

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Provenance page
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Suggest Feedback
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Suggest Feedback
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.
Audio Transcript

Please note: This section is empty

About the Artwork

Title Herodias and Salome with the Head of John the Baptist

Artwork Date 1631

Makers Bartolomeo Coriolano (Artist) Italian, 1599-1676 Guido Reni (Artist) Italian, 1575-1642

Medium Chiaroscuro woodcut printed in black ink and two shades of brown ink on laid paper

Dimensions Image: 6 5/8 × 7 1/2 inches (16.8 × 19.1 cm) Sheet: 7 × 7 5/8 inches (17.8 × 19.4 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Gift of Mrs. James E. Scripps

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 09.1S317.50A

Markings

Signed Signed and dated, on different blocks, lower left: 1631 | Corio. f. (see also inscription)

Inscriptions Inscribed, on block, upper left: GVIDO | RHENVS | BON. IN. | BAR. COR | EQVES | F. Inscribed, in brown ink, upper left of image: ou ( ) guide Inscribed, in brown ink, below image, lower left of sheet: coriolan ( ) graveur sur bois Inscribed, in black ink, lower right edge of supporting sheet: MJR Inscribed, in ink, verso: P. Gervais, 1860 (Lugt 1078)

Marks Stamped, in black, verso: A. Firmin-Didot (Lugt 119) Stamped, in purple, verso: J. Peoli (Lugt 2020)

Provenance

1860, P. Gervaise (Paris, France);
Ambroise Firmin-Didot (Paris, France);
May 1894, J.J. Peoli (New York, New York, USA).
Mrs. James E. Scripps (Detroit, Michigan, USA);
1909-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Bartolomeo Coriolano; after Guido Reni, Herodias and Salome with the Head of John the Baptist, 1631, chiaroscuro woodcut printed in black ink and two shades of brown ink on laid paper. Detroit Institute of Arts, Gift of Mrs. James E. Scripps, 09.1S317.50A.