Golga

2021

Cara Romero Chemehuevi Indian Tribe, born 1977

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About the Artwork

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Markings

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Provenance

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Catalogue Raisonné

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About the Artwork

Title Golga

Artwork Date 2021

Artist Cara Romero

Life Dates born 1977

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Chemehuevi Indian Tribe

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Pigment inkjet print on paper

Dimensions Image: 59 3/4 × 38 1/2 inches (151.8 × 97.8 cm) Sheet: 63 3/4 inches × 42 inches (161.9 × 106.7 cm) Framed: 64 5/16 inches × 42 3/4 inches × 2 inches (163.4 × 108.6 × 5.1 cm)

Classification Photographs

Department Indigenous Americas

Credit Museum Purchase, Flint Ink Endowment Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2022.23

Markings

Signed In black pen and ink, lower right: Cara Romero

Inscriptions In black pen and ink, lower left: 3/9

Provenance

the artist, Cara Romero [born 1977] (Santa Fe, New Mexico, USA);
2022-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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