General Amasa Davis

ca. 1820

Gilbert Stuart American, 1755-1828

Not On View

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Provenance page
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Suggest Feedback
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Suggest Feedback
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.
Audio Transcript

Please note: This section is empty

About the Artwork

Title General Amasa Davis

Artwork Date ca. 1820

Artist Gilbert Stuart

Life Dates 1755-1828

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on panel

Dimensions Unframed: 32 3/4 × 26 1/4 inches (83.2 × 66.7 cm) Framed: 40 1/8 × 34 1/4 × 4 1/8 inches (101.9 × 87 × 10.5 cm)

Classification Paintings

Department American Art before 1950

Credit Gift of Mrs. J. Bell Moran

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 45.17

Markings

Please note: This section is empty

Provenance

the sitter;
1825, his eldest daughter, Lucinda Dorr (Dorchester, Massachusetts,USA);
1843, her daughter, Sarah Whitney Davis Dorr Lemist (Roxbury, Massachusetts, USA);
1915, her daughter, Frances Ann Lemist Wheelock (Roxbury, Massachusetts, USA) .
1915, bought by another of the sitter's great-granddaughters, Ann Lothrop Motley Winthrop (Boston, Massachusetts, USA);
1923, her niece, Maria Davis Motley Park (Groton, Massachusetts, USA).
1927, bought by the sitter's great-great grandson, William H. Murphy (Detroit, Michigan, USA);
1945, his daughter, Mrs. J. Bell Moran (Detroit, Michigan, USA);
1945-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Exhibition of Portraits Painted by the Late Gilbert Stuart. Exh. cat., Athenaeum. Boston, 1828, no. 106.

Mason, George C. The Life Works of Gilbert Stuart. New York, 1879, p. 168.

Loan Exhibition of Early American Portraits. Exh. cat., Boston Arts Club. Boston, 1911, no. 54.

Park, Lawrence. Gilbert Stuart: An Illustrated Descriptive Lift of his Works Compiled by Lawrence Park with an Account of his Life by John Hill Morgan and an Appreciation by Royal Cortissoz, Vol. 1. New York, 1926, p. 257, no. 212.

Richardson, E.P. “American Portrait Painting.” Bulletin of the DIA 14, 1 (October 1934): pp. 11, 13.

Burroughs, Clyde H. “General Amasa Davis by Gilbert Stuart.” Bulletin of the DIA 25, 3 (1946): pp. 52-53.

Mount, Charles Merrill. Gilbert Stuart, A Biography. New York, 1964, p. 366.

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Teaspoons

Ward and Cox

ca. 1813

No Available Image

Footed Bowl

Multiple makers

between 1815 and 1830

Footed Salt

White Glass Works

ca. 1825

No Available Image

Bowl

White Glass Works

between 1815 and 1830

Low Dish

White Glass Works

between 1820 and 1850

Feedback

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction or improvement.

Suggest Feedback

1 / 1

Image Only Image + Details All Images High Resolution TIFF Metadata

General Amasa Davis

About the Artwork

Markings

Provenance

Exhibition History

Published References

Catalogue Raisoneé

Credit Line for Reproduction

More by Artist

The Todd Family

Washington

George Logan

John Jay

Gilbert Stuart

Mrs. Aaron Lopez and Her Son Joshua

General Henry Knox

Related Works

Bust of George Washington

Pitcher

Teaspoons

Footed Bowl

Footed Salt

Bowl

Low Dish

Feedback