Flemish Farm

1888

James Ensor Belgian, 1860-1949

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Flemish Farm

Artwork Date 1888

Artist James Ensor

Life Dates 1860-1949

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Belgian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Etching in black on laid japan paper

Dimensions Plate: 3 1/8 × 4 5/8 inches (7.9 × 11.7 cm) Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Gift of Mr. and Mrs. John M. Booth

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. F81.463

Markings

Signed Signed, in plate, lower left: Ensor

Inscriptions Inscribed, in pencil, center bottom edge of sheet: 113-389 AN

Marks Marked, lower left corner: [erasures]

Provenance

Ferdinand Roten (Baltimore, Maryland, USA);
Arwin Galleries.
Mr. and Mrs. John M. Booth;
1982-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback