Crucifixion

1741

John Baptist Jackson, Artist Tintoretto, Artist

Not On View

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Provenance page
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Suggest Feedback
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Suggest Feedback
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title Crucifixion

Artwork Date 1741

Makers John Baptist Jackson (Artist) English, 1700-1777 Tintoretto (Artist) Italian, 1519-1594

Medium Chiaroscuro woodcut printed in color ink from five blocks on laid paper

Dimensions Sheet (trimmed within image): 22 5/8 × 16 inches (57.5 × 40.6 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Founders Society Purchase, Hal H. Smith Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 72.528.2

Markings

Inscriptions On block, lower center: Illustrissimo & Nob: Viro Dno: Dno: / RICHARDO BOYLE Combi de Burlington & Cork & c. / Magnae Brittanniae & Hiberniae, Pari, Hiberniae Archi-thesaurario / Heredetario, Nobilisimi Or-dinis Periscelidis Equiti & c. / Optimae Architerae Instauratori ac Caeterarum Artium Liberalium Moecenati munificentissimo. / Singlorare hoc Opus a JACOBO ROBUSTI depictam in Schola S: ROCCI Venetiis / adservatum. J: B: Jackson Anglus qui Ligno Coelavit humillime. D. D. C. 1741...

Provenance

1972-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Kainen, J. John Baptist Jackson: 18th Century Master of the Color Woodcut. Exh. cat., Smithsonian Institution. Washington, D.C., 1962, no. 22.

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

John Baptist Jackson; after Tintoretto, Crucifixion, 1741, chiaroscuro woodcut printed in color ink from five blocks on laid paper. Detroit Institute of Arts, Founders Society Purchase, Hal H. Smith Fund, 72.528.2.