Caterina Sagredo Barbarigo as "Berenice"

Rosalba Giovanna Carriera Italian, 1675-1757
Not On View
  • About the Artwork

    Please note: This section is empty

  • Markings

    Please note: This section is empty

    This section contains information about signatures, inscriptions and/or markings an object may have.

  • Provenance

    Please note: This section is empty

    Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

    For more information on provenance and its important function in the museum, please visit:

    Provenance page
  • Exhibition History

    Please note: This section is empty

    The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

    We welcome your feedback for correction and/or improvement.

    Suggest Feedback
  • Published References

    Please note: This section is empty

    We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

    Suggest Feedback
  • Catalogue Raisonné

    Please note: This section is empty

    A catalogue raisonné is an annotated listing of artworks created by an artist across different media.

  • Credit Line for Reproduction

    Please note: This section is empty

    The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

  • Audio Transcript

    Please note: This section is empty

About the Artwork

Caterina Sagredo Barbarigo as "Berenice"

ca. 1741

Rosalba Giovanna Carriera

1675-1757

Italian

----------

Pastel on gray-blue laid paper, mounted onto thin canvas

Sheet: 17 15/16 × 13 11/16 × 1/2 inches (45.6 × 34.8 × 1.3 cm) Framed: 27 3/8 inches × 22 3/8 inches × 2 inches (69.5 × 56.8 × 5.1 cm)

Drawings

Prints, Drawings & Photographs

Gift of Mrs. William D. Vogel in memory of her mother Mrs. Ralph Harman Booth

56.264

Public Domain

Markings

Inscribed, on back of stretcher, upper edge, broken red-wax seal: A.[C.?]

Provenance

1741, probably sold in (Venice, Italy);
June-July 1741, purchased by Henry Fiennes Pelham-Clinton, Earl of Lincoln, later 2nd Duke of Newcastle-under-Lyne [1720-1794] (listed in the catalogue of the Newcastle collection at Clumber, 1914/23, no. 315) (England);
October 25, 1946, sold by (Christie's, London, England) no. 59C;
Arturo Grassi (New York, New York, USA);
Ralph H. Booth (Detroit, Michigan, USA);
Mrs. Ralph H. Booth (Detroit, Michigan, USA);
gift to her daughter, Mrs. Virginia Booth Vogel (Detroit, Michigan, USA);
1956-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Hipkin, William John. Descriptive catalogue of the pictures, pastel drawings, water-colour drawings, engravings, & c: belonging to his Grace the Duke of Newcastle at Clumber House, Workshop in the county of Nottingham, 1914. London, 1923, no. 315.

"Accessions of American and Canadian Museums: January-March 1957." Art Quarterly 20, 2 (Summer 1957): p. 206.

Sani, Bernardina. Rosalba Carriera. Turin, 1988, p. 322; no. 342 (fig. 300).

Italian, French, English, and Spanish Drawings and Watercolors: Sixteenth through Eighteenth Centuries. New York, 1992, pp. 98-99, no. 43, p. 141 (pl. xiii).

Manning, Robert L. A Loan Exhibition of Venetian Paintings of the 18th Century. Exh. cat., Finch College Museum of Art. New York, 1961, no. 9.

Payne, Elizabeth H. "A Venetian Portrait in Pastel." Bulletin of the DIA 37, 1, (1957/8): p. 4 (ill.).

Richardson, E.P. Venice 1700-1800: An Exhibition of Venice and the Eighteenth Century. Exh. cat., Detroit Institute of Arts and John Heron Art Museum. Detroit and Indianapolis, 1952, no. 21.

Sani, Bernardina. Rosalba Carriera (1673–1757): maestra del pastello nell’Europa ancien régime. Turin, 2007, p. 347; no. 398 (ill.).

Saska, Hope. Learning by Line: The Role of Drawing in the Eighteenth Century. Exh. cat., DIA. Detroit, 2009, pp. 5 (ill.); 13.

van Oppen de Ruiter, Branko. Berenice II Euergetis: Essays in Early Hellenistic Queenship. New York, 2015, pp. 67-70 (pl. 3.15).

Straussman-Pflanzer, Eve, and Oliver Tostmann, eds. By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500-1800. Exh. cat., Wadsworth Atheneum Museum of Art and DIA. Detroit, 2021, pp. 9; 140; 167-169 (ill.); cat. 57 (fig. 2).

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Rosalba Giovanna Carriera, Caterina Sagredo Barbarigo as "Berenice", ca. 1741, pastel on gray-blue laid paper, mounted onto thin canvas. Detroit Institute of Arts, Gift of Mrs. William D. Vogel in memory of her mother Mrs. Ralph Harman Booth, 56.264.

Caterina Sagredo Barbarigo as "Berenice"
Caterina Sagredo Barbarigo as "Berenice"