Bastille Day, Paris

1933

Ilse Bing American, 1899 - 1998

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About the Artwork

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Markings

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Provenance

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Bastille Day, Paris

Artwork Date 1933

Artist Ilse Bing

Life Dates 1899 - 1998

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Gelatin silver print

Dimensions Image: 11 1/4 × 8 5/8 inches (28.6 × 21.9 cm) Mount: 16 1/2 × 13 3/4 inches (41.9 × 34.9 cm)

Classification Photographs

Department Prints, Drawings & Photographs

Credit Gift of the Estate of Ilse Bing Wolff

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2001.87

Markings

Signed Signed in image, in black pen and ink, upper left: ILSE BING

Inscriptions Dated, upper left: 1933

Marks Stamp, in black ink, upper right: ILSE BING |PARIS | 1933

Provenance

by 2001, estate of Ilse Bing (New York, New York, USA);
2001-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback