Adoration of the Magi

1649

Carlo Sacchi , Artist After Paolo Veronese , Artist

Not On View

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About the Artwork

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Markings

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Provenance

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Adoration of the Magi

Artwork Date 1649

Makers Carlo Sacchi (Artist) Italian, 1617-1706 After Paolo Veronese (Artist) Italian, 1528-1588

Medium Etching printed in black ink on laid paper

Dimensions Sheet (trimmed within plate mark): 19 1/2 × 16 1/4 inches (49.5 × 41.3 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Gift of Mrs. James E. Scripps

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 09.1S1050

Markings

Inscriptions Inscribed, in plate, lower right of image: Paolo Veronesi Inv. Inscribed, in plate below image, including date and artist's name: [Latin inscription] Inscribed, in brown ink, following inscription in plate, lower right: P. Cagliari pint.

Marks Marks, in brown ink below image, lower left: [geometric monogram] Stamped, in black, verso: W. H. F. K von Lepell (Lugt 1672) Stamped, once in black, twice in brown, verso: Kupferstich- kabinett der Staatlichen Museen (Lugt 1606, 2922 and variation of 234)

Provenance

Wilhelm Heinrich Ferdinand Karl von Lepell;
November 1890, Kupferstichkabinett der Staatlichen Museen (Berlin, Germany).
Mrs. James E. Scripps (Detroit, Michigan, USA);
1909-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

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We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

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Catalogue Raisoneé

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Credit Line for Reproduction

Carlo Sacchi; after Paolo Veronese, Adoration of the Magi, 1649, etching printed in black ink on laid paper. Detroit Institute of Arts, Gift of Mrs. James E. Scripps, 09.1S1050.