Presenting Regeneration: Black Cinema 1898-1971 | Groundbreaking Exhibition Spotlights the Extraordinary but Often Overlooked Legacy and Contributions of Blacks in American Film, from the Dawn of Cinema through the Civil Rights Movement
Updated Jan 9, 2024
DETROIT – January 9, 2024 – The Detroit Institute of Arts (DIA) presents Regeneration: Black Cinema 1898-1971, a landmark exhibition exploring the deeply influential yet often overlooked history and impact of Blacks in American film from cinema's infancy, as the Hollywood industry matured and the years following the Civil Rights Movement. The exhibition, originally organized by the Academy Museum of Motion Pictures, will also include a new, unique film series in partnership with the Detroit Film Theatre.
On view February 4 through June 23, 2024, Regeneration highlights how trailblazing African American artists persisted despite barriers of discrimination and prejudice in order to showcase their talent, tenacity, and commitment to creative expression.
Regeneration features nearly 200 historical items – including photographs, costumes, props, posters – as well as interactive elements specifically designed for this groundbreaking exhibition, all juxtaposed with significant contemporary artworks by artists Theaster Gates, Glenn Ligon, Gary Simmons, and Kara Walker. In addition, the show includes objects, newsreels, home movies, excerpts from narrative films and documentaries, and a selection of fully restored, rarely seen films that amplify African American contributions to the history of cinema in the United States.
“We are honored to present Regeneration, a powerful, inspiring and important exhibition that examines the rich and often untold history of Blacks in American cinema,” said DIA Director Salvador Salort-Pons. “The exhibition explores the critical roles played by pioneering Black actors, filmmakers, and advocates to shape and influence U.S. cinema and culture in the face of enduring racism and discrimination.”
To complement the exhibition, the acclaimed Detroit Film Theatre – celebrating its 50th anniversary in 2024 – will present a specially-curated film series, with more than 20 film events highlighting the show’s spotlight on Black cinema history and representation. The series will include seldom-seen films that date back to the early years of cinema, such as Within Our Gates (1920), The Flying Ace (1926), and Harlem on the Prairie (1937), as well as films with Detroit connections including Eleven P.M. (filmed in Detroit in 1928), and more.
“This critically important presentation chronicles much of what we know on-screen but shares so much more of what happened off screen,” said Elliot Wilhelm, DIA Curator of Film. “Our community will learn how each generation of these pioneering actors and filmmakers paved the way for the following generation to succeed, and how they served as symbols and advocates for social justice in and beyond Hollywood. The museum’s beautiful Detroit Film Theatre will help share this history further with a wide-ranging film series that ties together the exhibition and Detroit’s own cinema history.”
The exhibition, created and organized by the Academy Museum of Motion Pictures, traces the often-untold story of Black identity, representation, and empowerment in filmmaking history. In the first of nine gallery spaces, visitors will see the short film Something Good – Negro Kiss (1898), showing the earliest known on-screen depiction of Black intimacy. The exhibition continues by spotlighting the evolution of Black depictions on screen – from nuanced, secondary roles to early sound films (“soundies”) and all-Black cast musicals, and later to lead characters in mainstream studio showcases, as well as how Black actors and writers used their platforms to fight for social and racial justice.
Among the artifact highlights on view, Regeneration will present home movie excerpts of legendary artists such as Josephine Baker and the Nicholas Brothers; excerpts of films featuring Louis Armstrong, Dorothy Dandridge, Ossie Davis, Ruby Dee, Sidney Poitier, Paul Robeson, Cicely Tyson, and many others.
Additional Information
For more information about Regeneration: Black Cinema 1898-1971 and the film series, visit DIA.
Images
Images from the exhibit can be found here:
https://dia.org/about/media-room/media-kits/regeneration-black-cinema-1898-1971
Sponsors
At the Detroit Institute of Arts, lead support is generously provided by The Gilbert Family Foundation. Major support is provided by JPMorgan Chase & Co. Additional support is provided by the DTE Foundation and Amazon.
Credits
Regeneration: Black Cinema 1898–1971 is organized by the Academy Museum of Motion Pictures and co-curated by Academy Museum Vice President, Curatorial Affairs, Doris Berger, and Rhea L. Combs, Director of Curatorial Affairs, National Portrait Gallery, Smithsonian Institution, with the support of former Assistant Curator J. Raul Guzman and Curatorial Assistants Emily Rauber-Rodriguez and Manouchka Kelly Labouba, Academy Museum of Motion Pictures.
Regeneration is the recipient of the 2018 Sotheby’s Prize. The Sotheby’s Prize was founded to support and encourage museums to break new ground by recognizing curatorial excellence and facilitating an upcoming exhibition that explores overlooked or underrepresented art history. The Sotheby’s Prize was awarded by a jury of museum curators and directors comprising Sir Nicholas Serota, Donna De Salvo, Okwui Enwezor (1963–2019), Connie Butler, Emilie Gordenker, and chaired by Allan Schwartzman. The exhibition is made possible in part by major grants from the National Endowment for the Humanities. Technology solutions generously provided by Christie®. Generous support is provided by Octavia Spencer.
DETROIT – January 9, 2024 – The Detroit Institute of Arts (DIA) presents Regeneration: Black Cinema 1898-1971, a landmark exhibition exploring the deeply influential yet often overlooked history and impact of Blacks in American film from cinema's infancy, as the Hollywood industry matured and the years following the Civil Rights Movement. The exhibition, originally organized by the Academy Museum of Motion Pictures, will also include a new, unique film series in partnership with the Detroit Film Theatre.
On view February 4 through June 23, 2024, Regeneration highlights how trailblazing African American artists persisted despite barriers of discrimination and prejudice in order to showcase their talent, tenacity, and commitment to creative expression.
Regeneration features nearly 200 historical items – including photographs, costumes, props, posters – as well as interactive elements specifically designed for this groundbreaking exhibition, all juxtaposed with significant contemporary artworks by artists Theaster Gates, Glenn Ligon, Gary Simmons, and Kara Walker. In addition, the show includes objects, newsreels, home movies, excerpts from narrative films and documentaries, and a selection of fully restored, rarely seen films that amplify African American contributions to the history of cinema in the United States.
“We are honored to present Regeneration, a powerful, inspiring and important exhibition that examines the rich and often untold history of Blacks in American cinema,” said DIA Director Salvador Salort-Pons. “The exhibition explores the critical roles played by pioneering Black actors, filmmakers, and advocates to shape and influence U.S. cinema and culture in the face of enduring racism and discrimination.”
To complement the exhibition, the acclaimed Detroit Film Theatre – celebrating its 50th anniversary in 2024 – will present a specially-curated film series, with more than 20 film events highlighting the show’s spotlight on Black cinema history and representation. The series will include seldom-seen films that date back to the early years of cinema, such as Within Our Gates (1920), The Flying Ace (1926), and Harlem on the Prairie (1937), as well as films with Detroit connections including Eleven P.M. (filmed in Detroit in 1928), and more.
“This critically important presentation chronicles much of what we know on-screen but shares so much more of what happened off screen,” said Elliot Wilhelm, DIA Curator of Film. “Our community will learn how each generation of these pioneering actors and filmmakers paved the way for the following generation to succeed, and how they served as symbols and advocates for social justice in and beyond Hollywood. The museum’s beautiful Detroit Film Theatre will help share this history further with a wide-ranging film series that ties together the exhibition and Detroit’s own cinema history.”
The exhibition, created and organized by the Academy Museum of Motion Pictures, traces the often-untold story of Black identity, representation, and empowerment in filmmaking history. In the first of nine gallery spaces, visitors will see the short film Something Good – Negro Kiss (1898), showing the earliest known on-screen depiction of Black intimacy. The exhibition continues by spotlighting the evolution of Black depictions on screen – from nuanced, secondary roles to early sound films (“soundies”) and all-Black cast musicals, and later to lead characters in mainstream studio showcases, as well as how Black actors and writers used their platforms to fight for social and racial justice.
Among the artifact highlights on view, Regeneration will present home movie excerpts of legendary artists such as Josephine Baker and the Nicholas Brothers; excerpts of films featuring Louis Armstrong, Dorothy Dandridge, Ossie Davis, Ruby Dee, Sidney Poitier, Paul Robeson, Cicely Tyson, and many others.
Additional Information
For more information about Regeneration: Black Cinema 1898-1971 and the film series, visit DIA.
Images
Images from the exhibit can be found here:
https://dia.org/about/media-room/media-kits/regeneration-black-cinema-1898-1971
Sponsors
At the Detroit Institute of Arts, lead support is generously provided by The Gilbert Family Foundation. Major support is provided by JPMorgan Chase & Co. Additional support is provided by the DTE Foundation and Amazon.
Credits
Regeneration: Black Cinema 1898–1971 is organized by the Academy Museum of Motion Pictures and co-curated by Academy Museum Vice President, Curatorial Affairs, Doris Berger, and Rhea L. Combs, Director of Curatorial Affairs, National Portrait Gallery, Smithsonian Institution, with the support of former Assistant Curator J. Raul Guzman and Curatorial Assistants Emily Rauber-Rodriguez and Manouchka Kelly Labouba, Academy Museum of Motion Pictures.
Regeneration is the recipient of the 2018 Sotheby’s Prize. The Sotheby’s Prize was founded to support and encourage museums to break new ground by recognizing curatorial excellence and facilitating an upcoming exhibition that explores overlooked or underrepresented art history. The Sotheby’s Prize was awarded by a jury of museum curators and directors comprising Sir Nicholas Serota, Donna De Salvo, Okwui Enwezor (1963–2019), Connie Butler, Emilie Gordenker, and chaired by Allan Schwartzman. The exhibition is made possible in part by major grants from the National Endowment for the Humanities. Technology solutions generously provided by Christie®. Generous support is provided by Octavia Spencer.
