Evil Does Not Exist
Get tickets:
Friday, May 24, 2024
7 p.m.
Saturday, May 25, 2024
3 p.m.
Saturday, May 25, 2024
7 p.m.
Sunday, May 26, 2024
2 p.m.
General admission | $10.50 |
Senior, Students, and DIA Members | $8.50 |
+$1.50 online convenience fee
(Japan/2023—directed by Ryûsuke Hamaguchi)
Deep in the forest of the rural village Harasawa, single parent Takumi lives with his young daughter, Hana, and does odd jobs for locals. The serenity of this untouched land is disrupted by the arrival of a Tokyo company ready to start construction on a glamping site for tourists—a plan that could have dire results for the community.
This potent and foreboding new film from Oscar®-winning director Hamaguchi (Drive My Car) is a haunting, unexpected experience with its rapturous score that breaks from the usual country-vs.-city themes and walks the line between the earthly and the metaphysical. Grand Jury Prizes, Venice Film Festival and Asia Pacific Screen Awards. In Japanese with English subtitles. (105 min.)
“A complex drama, teetering on the edge of the uncanny. I found it rippling around in my mind long after the final shot.” –Peter Bradshaw, The Guardian
(Japan/2023—directed by Ryûsuke Hamaguchi)
Deep in the forest of the rural village Harasawa, single parent Takumi lives with his young daughter, Hana, and does odd jobs for locals. The serenity of this untouched land is disrupted by the arrival of a Tokyo company ready to start construction on a glamping site for tourists—a plan that could have dire results for the community.
This potent and foreboding new film from Oscar®-winning director Hamaguchi (Drive My Car) is a haunting, unexpected experience with its rapturous score that breaks from the usual country-vs.-city themes and walks the line between the earthly and the metaphysical. Grand Jury Prizes, Venice Film Festival and Asia Pacific Screen Awards. In Japanese with English subtitles. (105 min.)
“A complex drama, teetering on the edge of the uncanny. I found it rippling around in my mind long after the final shot.” –Peter Bradshaw, The Guardian