Helmet

4th century BCE

Thracian ca. 1500 BCE to 46 CE/AD

On View

Ancient Greek and Roman, Level 2, South Wing

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Provenance page
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Suggest Feedback
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Suggest Feedback
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.
Audio Transcript

Please note: This section is empty

About the Artwork

This spectacular helmet was formed from a single piece of silver, its surface skillfully embossed and chased by the smith. A pair of eyes stare outward from the wearer’s brow. A goat emblazons the left cheek, while an eagle flies across the right, grasping a hare in its talons and a fish in its beak.
The helmet was among the grave goods of a Thracian nobleman or king whose territories lay along the Danube River in southeastern Europe. It is strikingly similar in style and imagery to other sumptuous silver items, including a beaker worked with the very same tools (Metropolitan Museum of Art) and two helmets from tombs in present-day Romania, leading scholars to identify them with the same workshop. Such a royal atelier attested to the ruler’s command of precious natural resources and of artistic talents.

Title Helmet

Artwork Date 4th century BCE

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. ----------

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Thracian

Medium Silver

Dimensions Overall: 9 1/2 × 7 1/8 inches (24.1 × 18.1 cm)

Classification Arms and Armor

Department Greco-Roman and Ancient European

Credit Founders Society Purchase, Sarah Bacon Hill Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 56.18

Markings

Please note: This section is empty

Provenance

Until 1931, Franz Trau [1881–1931] (Vienna, Austria).
1931, by descent to his estate (Vienna, Austria).
November 16, 1954, sold through (Galerie Fischer, Lucerne, Switzerland), to (Dr. Hubert A. Cahn of Münzen und Medaillen A.G., Basel, Switzerland);
By 1956, helmet owned in partnership between (Cahn) and (Elie Borowski, Toronto, Canada);
1956-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Bulletin of the DIA 36, no. 3 (1956-57): p. 68 (ill.).

Piggott, S. Ancient Europe. Chicago, 1965, pp. 224-6 (ill.) [as Dacian 3rd-2nd second century B.C.]

"Arta Traco-Getica," Bibliotega de Archeologie, vol. 14. Bucharest, Editura Academiei Republicii Socialiste Romania, pp. 83-88 (ill.).

Rosu, L. Consiliul Culturii si Educatiei Socialiste Revista Muzeelor si Monumentalor. Bucharest, 1975, no. 12, 2:55-59 (ill.).

Nickel, H. Ullstein Waffenbuch. Frankfurt, 1974, p. 60 (ill.).

Farkas, Anne E. "Style and Subject Matter in Native Thracian Art," Metropolitan Museum Journal, vol. 16 (1981): pp. 33-48, p. 34 [for mention of helmet associated with the Getae and Triballi tribes of northern Thrace].

Meyers, Pieter. "Three Silver Objects from Thrace: A Technical Examination," Metropolitan Museum Journal, vol. 16 (1981): pp. 49-54.

Goldman, B. "A Scythian Helmet from the Danube," Bulletin of the DIA 42, no. 4 (1963) pp. 63-71 (ill.).

Goldman, B. "Late Scythian Art in the West: The Detroit Helmet," IPEK, vol 22 (1966-69): pp. 67-76.

Rosu, L. "Thraco-Getae-Dacian Art Works In The Detroit Institute of Arts," Romanians Celebrating Ontario: Heritage Festival. Toronto, 1984, pp. 166-168.

"Family Art Game: Details, Details, Details," The Detroit Free Press (April 29, 1990): p. 25 (ill.) [DIA Advertising Supplement].

Henshaw, Julia P., ed. A Visitors Guide: The Detroit Institute of Arts. Detroit, 1995, p. 101 (ill.).

Fol, A., et al. The Rogozen Treasure. Sofia, 1989, p. 42 [compares Rogozan Beaker #165 to the Metropolitan Museum beaker, the two cups from Aghigol and the Detroit helmet in the iconography of the horned bird of prey which symbolizes ad deity with supernatural powers to defeat evil], p. 194 [Author says that the Metropolitan Museum beaker and the Detroit helmet may have been found near Rogozen].

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback