{ "core": { "objectID": 58220, "objectNumber": "27.200", "primaryTitle": "The Visitation", "objectName": "painting", "dated": "1640", "classification": "Paintings", "department": "European Painting", "medium": "oil on cedar panel", "dimensions": "Unframed: 22 1/4 × 18 7/8 inches (56.5 × 47.9 cm)\r\nFramed: 33 × 30 × 4 1/2 inches (83.8 × 76.2 × 11.4 cm)" }, "provenance": { "creditLine": "City of Detroit Purchase ", "provenance": "until 1656, the artist (Amsterdam, Netherlands) [cited in 1656 bankruptcy inventory of Rembrandt's collection].\r\nby 1662, Hieronymus van der Straten, magistrate and burgomaster of Goes (Goes, Netherlands); \r\nPrince Eugene of Savoy [1633-1736] (Vienna, Holy Roman Empire);\r\n1736, by descent, Prince Eugene’s niece, Maria Anna Victoria of Savoy;\r\n1741, sold to Carlo Emanuele III of Savoy, King of Sardinia (Turin, Italy);\r\nby descent, Victor Amadeus III; \r\nby descent, Carlo Emanuele IV (abdicated in 1802);\r\nby descent (?), Victor Emanuele I.\r\nbetween 1798 and 1802, probably removed by the French to Paris.\r\nbefore 1808, dealer, R. Lerondelle (Paris, France);\r\n1808, dealer, Sébastien Érard (England).\r\n1812-1913, Robert, 2nd Earl of Grosvenor, later Marquess of Westminster (d. 1846) (Grosvenor House, London, England); \r\nby descent, Dukes of Westminster to Duke of Westminster, Hugh Richard Grosvenor (Grosvenor House, London, England);\r\n1913, sold to Alfred Charles de Rothschild (Halton Manor, Halton, Buckinghamshire, England);\r\nby descent (?), Almina Herbert, Countess of Carnarvon [1876–1969] (Highclere Hampshire, England);\r\n1924-1927, M. Knoedler & Co. (London, England and New York, New York, USA);\r\n1927-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)", "signed": "Signed and dated, lower center, on step: Rembrandt 1640", "inscribed": "", "markings": "" }, "creators": [ { "displayName": "Rembrandt Harmensz van Rijn", "role": "Artist", "nationality": "Dutch", "bio": "Dutch, 1606-1669" } ], "rights": [ { "type": "Public Domain", "copyright": "", "creditLineRepro": "Rembrandt Harmensz van Rijn, The Visitation, 1640, oil on cedar panel. Detroit Institute of Arts, City of Detroit Purchase, 27.200." } ], "media": { "primary": { "filename": "27.200-d1-2008-02-14.tif", "width": 2691, "height": 2986, "shareURL": "https://dia.widen.net/content/q4ccmbgy5c/jpeg/27.200-d1-2008-02-14.jpeg?h=2000&keep=c&crop=yes&color=cccccc&quality=80&u=u3bnol", "originalURL": "https://dia.widen.net/content/q4ccmbgy5c/original/27.200-d1-2008-02-14.tif?u=u3bnol&download=true" } }, "terms": [ { "name": "religious art", "type": "subject" }, { "name": "Christianity", "type": "subject" }, { "name": "Baroque", "type": "styles and periods" }, { "name": "men", "type": "subject" }, { "name": "women", "type": "subject" }, { "name": "religion", "type": "subject" }, { "name": "cedar", "type": "support" }, { "name": "panel (wood)", "type": "support" }, { "name": "oil paint", "type": "material" }, { "name": "figures (representations)", "type": "subject" }, { "name": "painting (visual work)", "type": "work type" }, { "name": "Netherlands", "type": "modern" }, { "name": "Virgin Mary", "type": "subject" } ], "source": { "museum": "Detroit Institute of Arts", "objectURL": "https://dia.org/collection/58220" } }