  
  About the Artwork
  
  
  This work, which is a depiction of a fireworks display in London&acirc;&#128;&#153;s Cremorne Gardens, is probably Whistler&acirc;&#128;&#153;s most infamous painting. It was the central issue of a libel suit that involved the art critic John Ruskin and the artist. Ruskin had publicly slandered the work by making the statement, &acirc;&#128;&#156;I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public&acirc;&#128;&#153;s face.&acirc;&#128;&#157; Whistler won the libel suit; however, he was awarded only the token damages of one farthing. This is one of Whistler&acirc;&#128;&#153;s many &acirc;&#128;&#156;Nocturnes,&acirc;&#128;&#157; which are characterized by a moody atmosphere, a subtle palette, and overall tonalist qualities.
  
  
  Title
  Nocturne in Black and Gold, the Falling Rocket
  
  
  Artwork Date
  1875
  
  Artist
  James Abbott McNeill Whistler
  
  
  
  Life Dates
  1834 - 1903
  
  
  
  
  Nationality
  
  
  
  Please note:
  Definitions for nationality may vary significantly, depending on chronology and world events.
  Some definitions include:
  Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation.
  
  
  
  American
  
  
  
  Culture
  
  
  
  Please note:
  Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group.
  
  
  
  
  ----------
  
  
  Medium
  Oil on panel
  
  
  Dimensions
  Unframed: 23 3/4 &Atilde;&#151; 18 3/8 inches (60.3 &Atilde;&#151; 46.7 cm)
  Framed: 36 3/4 &Atilde;&#151; 30 1/4 &Atilde;&#151; 3 1/4 inches (93.3 &Atilde;&#151; 76.8 &Atilde;&#151; 8.3 cm)
  
  
  Classification
  Paintings
  
  
  Department
  American Art before 1950
  
  
  Credit
  Gift of Dexter M. Ferry, Jr.
  
  
  
  Accession Number
  
  
  
  This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection.
  Most frequently, accession numbers begin with the year in which the artwork entered the museum&acirc;&#128;&#153;s holdings.
  For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems&acirc;&#128;&#148;no longer assigned&acirc;&#128;&#148;that identify specific donors or museum patronage groups.
  
  
  
  46.309
  
  
  Copyright
  Public Domain
  
  
  
