  About the Artwork
  
  
  The Ngaady-a-Mwash is one of a triad of masks that are danced to symbolize mythical characters and culture heroes important to the origins of Kuba kingship. Ngaady-a-Mwash is the sister and wife of the Kuba's legendary original king. The interplay between masked dancers who portray Ngaady-a-Mwash and two of her mythical suitors teaches the people the balance of power between the king and his subjects. These masks are worn during dances for initiation rites, funeral ceremonies, and royal gatherings.
  
  
  Title
  Nagaady-A-Mwaash Mask
  
  
  Artwork Date
  20th century
  
  Artist
  ----------
  
  
  
  Life Dates
  ----------
  
  
  
  
  Nationality
  
  
  
  Please note:
  Definitions for nationality may vary significantly, depending on chronology and world events.
  Some definitions include:
  Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation.
  
  
  
  African
  
  
  
  Culture
  
  
  
  Please note:
  Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group.
  
  
  
  
  Kuba
  
  
  Medium
  Wood, cowry shell, glass beads
  
  
  Dimensions
  Overall: 15 × 10 × 10 inches (38.1 × 25.4 × 25.4 cm)
  Including base: 22 × 10 × 10 inches (55.9 × 25.4 × 25.4 cm)
  
  
  Classification
  Sculpture
  
  
  Department
  African Art
  
  
  Credit
  Founders Society Purchase, Mr. and Mrs. Allan Shelden III Fund, funds from the Friends of African Art and the Pierians, Inc.
  
  
  
  Accession Number
  
  
  
  This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection.
  Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings.
  For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups.
  
  
  
  1992.215
  
  
  Copyright
  Copyright Not Evaluated
