  
  About the Artwork
  
  
  As a young artist, Ingres received acclaim for portraits drawn in his strikingly pristine style; these portraits provided him with a reliable source of income when he was a student at the French Academy in Rome. This drawing, however, dates from the later years when he had reached the pinnacle of success in French art. Its highly refined yet lively lines and clearly delineated contours capture a vivid likeness of the subject, who was the granddaughter 
of old friends of the artist. CGcile&acirc;&#128;&cent;Marie Panckoucke was named for her grandmother, whose portrait had also been drawn by Ingres some forty.five years earlier.
  
  
  Title
  Mlle. C&Atilde;&copy;cile-Marie Panckoucke, later Mme. Jacques-Raoul Tournou&Atilde;&laquo;r
  
  
  Artwork Date
  1856
  
  Artist
  Jean Auguste Dominique Ingres
  
  
  
  Life Dates
  1780-1867
  
  
  
  
  Nationality
  
  
  
  Please note:
  Definitions for nationality may vary significantly, depending on chronology and world events.
  Some definitions include:
  Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation.
  
  
  
  French
  
  
  
  Culture
  
  
  
  Please note:
  Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group.
  
  
  
  
  ----------
  
  
  Medium
  Graphite pencil on cream wove paper
  
  
  Dimensions
  Sheet: 12 5/16 &Atilde;&#151; 9 inches (31.3 &Atilde;&#151; 22.9 cm)
  Framed: 24 &Atilde;&#151; 20 &Atilde;&#151; 1 inches (61 &Atilde;&#151; 50.8 &Atilde;&#151; 2.5 cm)
  
  
  Classification
  Drawings
  
  
  Department
  Prints, Drawings &amp; Photographs
  
  
  Credit
  Founders Society Purchase, Anne McDonnell Ford Fund and Henry Ford II Fund
  
  
  
  Accession Number
  
  
  
  This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection.
  Most frequently, accession numbers begin with the year in which the artwork entered the museum&acirc;&#128;&#153;s holdings.
  For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems&acirc;&#128;&#148;no longer assigned&acirc;&#128;&#148;that identify specific donors or museum patronage groups.
  
  
  
  64.82
  
  
  Copyright
  Public Domain
  
  
  
