  About the Artwork
  
  
  Heade’s depictions of the sea are characteristically disquieting, with harsh, cold light, jutting rocks, and dark, empty water. This painting is a prime example in a series of coastal views painted by Heade in the 1860s, all apparently stimulated by the Rhode Island coast. Intent on conveying mood and capturing the fleeting, often hostile elements of nature, Heade sacrificed realistic representation, while elongating form, distorting perspective, and exaggerating color contrasts. The soft ribbons of the clouds, chosen to reinforce the horizontal rhythms of the composition, are a signature of Heade’s work. The incoming waves, frozen in time at the peak of cresting, contribute to the surreal effect.
  
  
  Title
  Seascape: Sunset
  
  
  Artwork Date
  1861
  
  Artist
  Martin Johnson Heade
  
  
  
  Life Dates
  1819-1904
  
  
  
  
  Nationality
  
  
  
  Please note:
  Definitions for nationality may vary significantly, depending on chronology and world events.
  Some definitions include:
  Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation.
  
  
  
  American
  
  
  
  Culture
  
  
  
  Please note:
  Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group.
  
  
  
  
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  Medium
  Oil on canvas
  
  
  Dimensions
  Unframed: 26 × 44 inches (66 × 111.8 cm)
  Framed: 39 1/4 × 57 1/4 × 4 1/2 inches (99.7 × 145.4 × 11.4 cm)
  
  
  Classification
  Paintings
  
  
  Department
  American Art before 1950
  
  
  Credit
  Founders Society Purchase, Robert H. Tannahill Foundation Fund
  
  
  
  Accession Number
  
  
  
  This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection.
  Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings.
  For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups.
  
  
  
  1995.26
  
  
  Copyright
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