  
  About the Artwork
  
  
  In February 1888 Van Gogh moved to Arles, in the south of France, and continued to paint landscapes and portraits. Between late July 1888 and April 1889, he painted at least six portraits of Joseph-Etienne Roulin (1841&acirc;&#128;&#147;1903), a postman in Arles. Here, the artist concentrated on Roulin's head, which he described in a letter as "somewhat like Socrates, hardly any nose at all, a high forehead, bald crown, little gray eyes, bright red chubby cheeks, a big pepper-and-salt beard, large eyes."
  
  
  Title
  Portrait of Postman Roulin
  
  
  Artwork Date
  1888
  
  Artist
  Vincent van Gogh
  
  
  
  Life Dates
  1853-1890
  
  
  
  
  Nationality
  
  
  
  Please note:
  Definitions for nationality may vary significantly, depending on chronology and world events.
  Some definitions include:
  Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation.
  
  
  
  Dutch
  
  
  
  Culture
  
  
  
  Please note:
  Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group.
  
  
  
  
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  Medium
  Oil on canvas
  
  
  Dimensions
  Unframed: 25 9/16 &Atilde;&#151; 19 7/8 &Atilde;&#151; 11/16 inches (65 &Atilde;&#151; 50.5 &Atilde;&#151; 1.8 cm)
  Framed: 34 7/8 &Atilde;&#151; 29 1/8 &Atilde;&#151; 3 1/4 inches (88.6 &Atilde;&#151; 74 &Atilde;&#151; 8.3 cm)
  
  
  Classification
  Paintings
  
  
  Department
  European Modern Art to 1970
  
  
  Credit
  Gift of Mr. and Mrs. Walter Buhl Ford II
  
  
  
  Accession Number
  
  
  
  This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection.
  Most frequently, accession numbers begin with the year in which the artwork entered the museum&acirc;&#128;&#153;s holdings.
  For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems&acirc;&#128;&#148;no longer assigned&acirc;&#128;&#148;that identify specific donors or museum patronage groups.
  
  
  
  1996.25
  
  
  Copyright
  Public Domain
  
  
  
