  
  About the Artwork
  
  
  Being in the grips of a nightmare is a common occurrence that we can all relate to, but we may never experience one exactly as a particular artist depicts it. Here Fuseli conjures up a terrifying image filled with mystery and panic, yet with a vague and disturbing familiarity. It suggests the way the woman feels in the grip of a demonic nightmare, not what she sees. The Nightmare was reproduced as an engraving; a copy hung in Sigmund Freud's apartment in Vienna in the 1920s.
  
  
  Title
  The Nightmare
  
  
  Artwork Date
  1781
  
  Artist
  Henry Fuseli
  
  
  
  Life Dates
  1741-1825
  
  
  
  
  Nationality
  
  
  
  Please note:
  Definitions for nationality may vary significantly, depending on chronology and world events.
  Some definitions include:
  Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation.
  
  
  
  Swiss
  
  
  
  Culture
  
  
  
  Please note:
  Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group.
  
  
  
  
  ----------
  
  
  Medium
  Oil on canvas
  
  
  Dimensions
  Unframed: 40 1/16 &Atilde;&#151; 50 1/16 &Atilde;&#151; 13/16 inches (101.7 &Atilde;&#151; 127.1 &Atilde;&#151; 2.1 cm)
  Framed: 47 5/8 &Atilde;&#151; 58 &Atilde;&#151; 3 1/2 inches (121 &Atilde;&#151; 147.3 &Atilde;&#151; 8.9 cm)
  
  
  Classification
  Paintings
  
  
  Department
  European Painting
  
  
  Credit
  Founders Society Purchase with funds from Mr. and Mrs. Bert L. Smokler and Mr. and Mrs. Lawrence A. Fleischman
  
  
  
  Accession Number
  
  
  
  This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection.
  Most frequently, accession numbers begin with the year in which the artwork entered the museum&acirc;&#128;&#153;s holdings.
  For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems&acirc;&#128;&#148;no longer assigned&acirc;&#128;&#148;that identify specific donors or museum patronage groups.
  
  
  
  55.5.A
  
  
  Copyright
  Public Domain
  
  
  
