  About the Artwork
  
  
  With a wheat field behind him and luminous autumn light on his back, a young man leans contemplatively on a scythe. One of a set of four paintings all owned by the Detroit Institute of Arts, The Reaper is an early work by Jean-Honore Fragonard, who would go on to become one of the most technically daring painters of the French eighteenth century. Glimpses of Fragonard's assured technique can already be seen here in the confident scumbled brushwork of the sky and the brilliant chromatic harmonies in the youth's lemon-yellow jacket and luminous green grass. The series evokes the progression of the seasons, from the cultivation of a garden in springtime to late summer's grape harvest to autumn's impending chill. These paintings were originally intended to adorn the walls of an ornate interior, and their decorative function is emphasized by their curvilinear gilded frames.
  
  
  Title
  The Reaper
  
  
  Artwork Date
  between 1754 and 1755
  
  Artist
  Jean Honoré Fragonard
  
  
  
  Life Dates
  1732-1806
  
  
  
  
  Nationality
  
  
  
  Please note:
  Definitions for nationality may vary significantly, depending on chronology and world events.
  Some definitions include:
  Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation.
  
  
  
  French
  
  
  
  Culture
  
  
  
  Please note:
  Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group.
  
  
  
  
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  Medium
  Oil on canvas
  
  
  Dimensions
  Unframed: 59 × 34 inches (149.9 × 86.4 cm)
  Framed: 64 5/8 × 39 5/8 × 3 3/4 inches (164.1 × 100.6 × 9.5 cm)
  
  
  Classification
  Paintings
  
  
  Department
  European Painting
  
  
  Credit
  Founders Society Purchase, Mr. and Mrs. Horace E. Dodge Memorial Fund
  
  
  
  Accession Number
  
  
  
  This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection.
  Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings.
  For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups.
  
  
  
  71.392
  
  
  Copyright
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