  About the Artwork
  
  
  Once part of a multipaneled altarpiece painted for the church of Porto San Giorgio (on the Adriatic coast of Italy), this painting depicts Christ's mother and followers attending to his corpse. The gestures of the Virgin and Mary Magdalen draw attention to the wounds of Christ, suggesting that the panel was a devotional image meant to inspire the sympathy of worshipers. The grieving figures of Saint John the Evangelist (on Christ's left), Joseph of Arimathea, and Nicodemus provide examples for the spectator to follow. The intensely expressive figures, emphasized by detailed draftsmanship, are hallmarks of Crivelli's style.
  
  
  Title
  The Deposition of Christ
  
  
  Artwork Date
  ca. 1470
  
  Artist
  Carlo Crivelli
  
  
  
  Life Dates
  active 1457-ca. 1493
  
  
  
  
  Nationality
  
  
  
  Please note:
  Definitions for nationality may vary significantly, depending on chronology and world events.
  Some definitions include:
  Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation.
  
  
  
  Italian
  
  
  
  Culture
  
  
  
  Please note:
  Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group.
  
  
  
  
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  Medium
  Tempera and gold on wood panel
  
  
  Dimensions
  Unframed (Lunette panel (semi-circular)): 16 1/2 × 45 inches (41.9 × 114.3 cm)
  Framed (irreg.): 25 7/8 × 54 5/8 × 3 9/16 inches (65.7 × 138.7 × 9.1 cm)
  
  
  Classification
  Paintings
  
  
  Department
  European Painting
  
  
  Credit
  Founders Society Purchase, General Membership Fund
  
  
  
  Accession Number
  
  
  
  This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection.
  Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings.
  For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups.
  
  
  
  25.35
  
  
  Copyright
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