  About the Artwork
  
  
  Benson’s portrait of his eldest daughter, Elisabeth, eloquently summarizes the artist’s interests during the early twentieth century—the exploration of outdoor light and the depiction of lively, radiant, young womanhood. Although Benson used a camera in his working process, he idealized his subjects when he transferred them to canvas. The images of his daughters in outdoor light remain the quintessential vision of American womanhood at the turn of the century.
  
  
  Title
  My Daughter Elisabeth
  
  
  Artwork Date
  ca. 1914
  
  Artist
  Frank Weston Benson
  
  
  
  Life Dates
  1862-1951
  
  
  
  
  Nationality
  
  
  
  Please note:
  Definitions for nationality may vary significantly, depending on chronology and world events.
  Some definitions include:
  Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation.
  
  
  
  American
  
  
  
  Culture
  
  
  
  Please note:
  Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group.
  
  
  
  
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  Medium
  Oil on canvas
  
  
  Dimensions
  Unframed: 44 × 37 inches (111.8 × 94 cm)
  Framed: 55 3/8 × 44 3/8 × 4 inches (140.7 × 112.7 × 10.2 cm)
  
  
  Classification
  Paintings
  
  
  Department
  American Art before 1950
  
  
  Credit
  Detroit Museum of Art Purchase, Special Membership and Donations Fund with contributions from Philip, David and Paul R. Gray, and their sister Mrs. William R. Kales
  
  
  
  Accession Number
  
  
  
  This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection.
  Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings.
  For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups.
  
  
  
  16.31
  
  
  Copyright
  Copyright Not Evaluated
