  
  About the Artwork
  
  
  George Bellows was a realist with a technique perfectly adapted to his frank impressions.
An amateur ballplayer, he maintained a life-long interest in sports, and his paintings of polo matches and prize-fight rings are often considered his finest work. The crowds in attendance
at the fights were presented in summary fashion, as they were mere accessories to the main event, but they were not the only crowds Bellows painted. As is evident here, he became singularly expert at conveying the sense of motion of a crowd, in this case a group of elegant New Yorkers enjoying a late afternoon outing in Central Park. In the background is the symbol of the twentieth-century American city: a skyscraper.
  
  
  Title
  A Day in June
  
  
  Artwork Date
  1913
  
  Artist
  George Wesley Bellows
  
  
  
  Life Dates
  1882-1925
  
  
  
  
  Nationality
  
  
  
  Please note:
  Definitions for nationality may vary significantly, depending on chronology and world events.
  Some definitions include:
  Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation.
  
  
  
  American
  
  
  
  Culture
  
  
  
  Please note:
  Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group.
  
  
  
  
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  Medium
  Oil on canvas
  
  
  Dimensions
  Unframed: 36 1/2 &Atilde;&#151; 48 inches (92.7 &Atilde;&#151; 121.9 cm)
  Framed: 43 3/4 &Atilde;&#151; 56 1/16 &Atilde;&#151; 3 3/8 inches (111.1 &Atilde;&#151; 142.4 &Atilde;&#151; 8.6 cm)
  
  
  Classification
  Paintings
  
  
  Department
  American Art before 1950
  
  
  Credit
  Detroit Museum of Art Purchase, Lizzie Merrill Palmer Fund
  
  
  
  Accession Number
  
  
  
  This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection.
  Most frequently, accession numbers begin with the year in which the artwork entered the museum&acirc;&#128;&#153;s holdings.
  For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems&acirc;&#128;&#148;no longer assigned&acirc;&#128;&#148;that identify specific donors or museum patronage groups.
  
  
  
  17.17
  
  
  Copyright
  Copyright Not Evaluated
  
  
  
