  
  About the Artwork
  
  
  The similarity between painting and music was one of the great preoccupations of the late nineteenth century. The French Symbolists, English artists such as Albert Moore and Frederick Leighton, and Americans such as Whistler and Thomas Dewing all featured the subject of young women playing instruments and listening to music. Alexander&acirc;&#128;&#153;s rich orchestration of the friezelike composition, with its languid poses, fluid brushwork, and careful color modulation, masterfully evokes their ethereal experience.
  
  
  Title
  Panel for Music Room
  
  
  Artwork Date
  1894
  
  Artist
  John White Alexander
  
  
  
  Life Dates
  1856-1915
  
  
  
  
  Nationality
  
  
  
  Please note:
  Definitions for nationality may vary significantly, depending on chronology and world events.
  Some definitions include:
  Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation.
  
  
  
  American
  
  
  
  Culture
  
  
  
  Please note:
  Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group.
  
  
  
  
  ----------
  
  
  Medium
  Oil on canvas
  
  
  Dimensions
  Unframed: 37 &Atilde;&#151; 77 3/4 inches (94 &Atilde;&#151; 197.5 cm)
  Framed: 50 1/2 &Atilde;&#151; 91 &Atilde;&#151; 4 inches (128.3 &Atilde;&#151; 231.1 &Atilde;&#151; 10.2 cm)
  
  
  Classification
  Paintings
  
  
  Department
  American Art before 1950
  
  
  Credit
  Founders Society Purchase, Beatrice W. Rogers Fund, Dexter M. Ferry, Jr. Fund, Merrill Fund, and Eleanor and Edsel Ford Exhibition and Acquisition Fund
  
  
  
  Accession Number
  
  
  
  This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection.
  Most frequently, accession numbers begin with the year in which the artwork entered the museum&acirc;&#128;&#153;s holdings.
  For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems&acirc;&#128;&#148;no longer assigned&acirc;&#128;&#148;that identify specific donors or museum patronage groups.
  
  
  
  82.26
  
  
  Copyright
  Copyright Not Evaluated
  
  
  
